15. April 2009 18h, NoD Roxy, CZ_Prague
Daniel Hromada (SK/CZ),
Pavel Neuman (CZ),
Palo Fabuš (CZ),
Michal Cab (CZ)
NoD Roxy,
DigiLab AVU
presentation,
discussion,
streaming,
lecture
Kyberia guild vs Facebook matrix
Daniel Hromada (Hromi) and Pavel Neuman
Hromi: “Give me one reason why I should register on Facebook.”
After short presentation of specific features of social media and nets there will be moderated discussion between Daniel Hromada (Hromi) who has a very skeptical attitude against Facebook and Pavel Neumann, an expert on social media, who represents a defender of current social phenomenon.
Hromi is a creator of legendary social network Kyberia.sk that has connected nonconformistly thinking people, from hackers to artists, already for several years. The author’s reserved attitude to the social nets is mainly related to the last developmental version of Kyberia - 2.3 that was not successful in its efforts to state a certain new model of the Internet democracy.
On the contrary, Hromi´s opponent, Pavel Neuman, who dedicates himself to these trends on web and whose texts are presented on the blog BuzzMag, he considers this kind of closed society pseudo-activism. “One of the significant features (of web 2.0 services) is that their utility value does not grow with the number of users hence it is not possible to compare Kyberia with Facebook“, Neuman says.
This moderated discussion will be held within the festival Multiplace. The bloc of lectures at 18:00 will be opened by Michal Cáb and the theme will be Fluxus/pd/livecoding. Palo Fabuš will follow and he will clarify us his theme in his lecture Me, We and They: Communication and Liability in Today’s society.
http://kyberia.sk
http://buzzmag.cz
I, We and Them: Communication and liability in today's society
Palo Fabuš
What do graffiti, bathroom poetry, reality shows, commercials, internet discussion, famous people and the rest of us, narcissism and liability have in common?
http://palofabus.net
Fluxus / pd / livecoding
Michal Cáb
About the possibilities, dis/advantages of livetimecoding, software fluxus, pd and transient data flow.
http://www.cabowitz.com
http://dl.avu.cz/lang/en-us/2009/03/kyberia-guild-vs-facebook-matrix/
http://nod.roxy.cz/?p=686
http://multiplace.ning.com/events/kyberia-vs-facebook-fabus
http://facebook.com/event.php?eid=62386292721
Palo Fabuš is the culture publicist, critic and theorist. Not a journalist. His former interest in new media has progressively evolved into wide study of contemporary culture applying a variety of approaches such as sociology, media studies, art theory and philosophy. His research centers these days mostly on the relationship of ICT and evolution of cultural values, contemporary zeitgeist and perception of time.
Since 2009 editor of Umělec. Teaches Social Media course at Department of Media Studies and Journalism FSS MU Brno and occasionally FF MU Brno, FaVU Brno, FIT VUT Brno, FAMU Prague, AVU Prague. Studied Bc. (Applied Informatics) at Faculty of Informatics, Masaryk University in Brno. MA Student at Department of Media Studies and Journalism FSS MU Brno. In 2004-2005 editor-in-chief of IM6. In 2005 and 2006 curator of Zoom festival. From 2005 to 2008 worked as an editor of Literární noviny. In 2007 co-founded Jlbjlt. After seven years of living in Brno, moved in 2009 to Prague.
http://palofabus.net
http://literarky.cz/index.php?p=autor&id=153
http://jlbjlt.net/user/10
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16. 18. April 2009, Water sewage in Bubeneč, CZ_Prague
Lenka Dolanová (CZ),
Michal Kindernay (CZ),
Gívan Belá (BE/SK),
Martin Blažíček (CZ),
Aleš Zemene (CZ),
Isjtar (BE),
Georgij Bagdasarov (AM/CZ),
Kateřina Zochová (CZ),
Markéta Lisá (CZ),
Jonatán Pastirčák (SK),
Stanislav Abrahám (CZ),
Marcio Domingues (PT),
Miloš Vojtěchovský (CZ),
open participation
yo-yo,
OKNO (support),
Institute of Intermedia (support),
Školská28 (support)
workshop,
opening/exhibition,
performance,
streaming
april 16 - 17 - workshop, free and open for your experiments (it's possible to work here also tuesday 14th, wednesday there is a private party)
- experimenting with hydrophones, underwater cameras, sensors monitoring water and air quality..., the resulting data can be used for creating temporary media installations and performances, interconnected spaces of former sewage works with its surroundings...
- there are pools with deep still water underground, running vltava water cca 500 meters from the place, it's possible to put cameras on the roof, on two smokestacks in front of the building
- streaming the events on saturday
april 18 - Sewage Echoes II (following SE I couple of years ago...)
- presentation, sound and visual performances in the underground and underwater, potluck and discussions
april 16 - 18 - workshop ITT
http://www.societyofalgorithm.org/yo-yo/yo-yo/kanalizacni_ozveny_II.html
http://col-me.info/node/145
http://multiplace.ning.com/events/kanalizacni-ozveny-ii
http://facebook.com/event.php?eid=79007070049 |
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18. April 2009 19h, Water sewage in Bubeneč, CZ_Prague
18. April 2009 19h, Gallery 12, CZ_Zlín
Franziska Mayr-Keber,
Marc Muncke,
Rich Loop Panciera,
Nik Suchentrunk,
Elsa Vieira (PT/US),
Aleš Zemene (CZ),
Marek Ďuriš (CZ),
Nikola Gedeonová (CZ),
Ivo Mathé (CZ),
Ondra Volek (CZ),
open participation
Roguewaves,
Školská28 (support)
performance,
streaming
FREE
OPEN TO ALL TO PARTICIPATE
START: 7pm until late
More details about stream: http://www.whitelabel.name/
SHARE is an organization dedicated to supporting collaboration and knowledge exchange in new media communities. Local SHARE groups hold free, open jams and workshops in their communities. Participants bring their portable equipment, plug into our system, improvise on each others' signal and perform live audio and video. SHARE furnishes the amplification and projection. SHARE happens weekly to monthly in cities around the world. Please bring with you your audio and video instruments, computers, cables and anything else you would like to SHARE so that you can participate. More info at:
http://share.dj
http://roguewaves.net
Short interview with Elsa Vieira, the organiser:
1. What is the Share story? Who are the people behind Share? And how come you all come to Prague?! :)
Share is an open jam, not just for digirati, but for all new culture lovers. Participants bring their portable equipment, plug into our system, improvise on each others' signal and perform live audio and video. Our volunteer organizers furnish the amplification and projection. Share was founded in 2001 in NYC by Barry Manalog, geoffGDAM and Newclueless and provides an open forum, in real life, for data exchange and media performance. Patrons are encouraged to show and exchange ideas freely, giving each other feedback, catalyzing development of techniques and philosophies in new media. Share, which currently has a presence in many cities worldwide, has already been in Prague and so there is a precedent for this incarnation. Basically, Elsa Vieira, one of the NYC volunteer organizers, met up with Milos Vojtechovsky of iim and Skolska gallery (one of the original founders of SHARE.TAZ in Prague)a few months ago when she was in Prague and Milos suggested she also meet Magde Kobzova of Multiplace. It was this meeting with Magde that sowed the seeds for the current SHARE Media Cirkus event as part of the Multiplace Festival. And by the way, the "Media Cirkus" part of the name was not my idea, but was suggested by Martin JanÃcek, another artist I met in Prague on one of my visits, when he found out it was to be held in a tent. http://share.dj
2. Share is about open participation in order to bring together different creative communities. Some people can find it not that easy just to come, plug in, and immediately play together with 'strangers'. How does it work in practise?
In practice, that is the whole point; the openness to relate to a complete "stranger" as you say, in a temporary, free creative zone. No-one is forced to participate but no-one is ever turned away either; it is completely voluntary, so that if someone does not feel comfortable playing with others in this setting, then that person does have to not participate...it is really about self-regulation and self-determination while at the same time watching and listening to the others around you and trying to create a space together; whether that means participating as a "player" or just being a part of the group by sharing ideas, etc.
3. What role does the audience, the public play for you in Share?
Well, there really is no "audience" per se in the traditional sense of the word. We try to minimize as much as possible the division between "artist" and "public". There is no stage and sometimes it is really difficult to know who is doing what. The guy with the laptop and the intense gaze at his screen may be only checking his email, while the woman engaged in a lively conversation with someone else near the bar, may have her patch going on her computer and so is actually one of the people "playing". The idea is that we are all equal elements of the group; whether it is a temporary or ongoing community. Everyone plays their part when and how they wish, and pretty much determines their own role in the group...there is no-one to say hey, you do/are this and you are not/do not do this...you decide for yourself who you are and what you do - I would hope people would always approach this with some degree of respect for the others around.
http://multiplace.ning.com/events/roguewaves-presents-share
http://facebook.com/event.php?eid=61958663259 |
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